Expecting to see something that resembled more of a Linda Lovelace biopic, I must admit that I was a bit disappointed to find out that "Lovelace" only examines a small portion of her life and the abusive relationship with her husband during the making of 1972's "Deep Throat" (arguably the most popular adult film of all time). But as I started watching this, my disappointment only grew as I witnessed what directors Rob Epstein and Jeffrey Friedman had done with this material (material which had such dark dramatic potential) utterly mangling the construction of the story and, to add insult to injury, transforming this film into nothing more than a by-the-numbers, woman empowerment, Lifetime channel movie of the week…with nudity.
Not saying that Amanda Seyfried (who plays Linda Lovelace) and Peter Sarsgaard (who plays her husband, Chuck) don't do their best with the material given. They are actually quite good in this. And with the help of some excellent supporting work from the likes of Sharon Stone, who is almost unrecognizable as Linda's mother and Bobby Cannavale who plays a producer, the acting is the best part of this movie.
OK, so yes, James Franco is laughable as young Hugh Hefner, but the real black eye on the face of "Lovelace" has to be Epstein and Friedman's direction.
The following is a rundown of how Epstein and Friedman nearly single handedly ruined this movie; act by act: Act One: Cramming an insane amount of old television footage down our throats with the sole purpose of making sure we (the audience) realize that this movie is set in the 70's, the first 40 minutes of "Lovelace" tells the story of how Linda and Chuck meet, fall in love and how Chuck introduces Linda into the world of porn. Sounds interesting enough, right? Well, it would have been if not for direction that chose to outright disregard character development for an entire act. Example: Linda and Chuck fall in love in like 2 seconds. Next thing we know, its 6 months later and she's inexplicably on the set of "Deep Throat". Next thing we know, Linda is getting beat by Chuck. In other words, in the first half of this film, we have no context for anybody's motivations. We don't really get to see any conversations that have any sort of weight behind them or contain any real emotional transformations. And the fact that there is no back-story to be found for nearly half of this film, handicaps the viewers from becoming personally invested in any of the characters.
2.jpg)
0 nhận xét:
Đăng nhận xét